Rumusan Masalah : 1. Bagaimana unsur intrinsik Novel berjudul “24 Jam Bersama Gaspar” karya Sabda Armandio? 2. Bagaimana unsur intrinsik film berjudul “24 Jam Bersama Gaspar” karya sutradara Yosep Anggi Noen? 3.Bagaimana proses ekranisasi Novel berjudul “24 Jam Bersama Gaspar” menjadi film berjudul “24 Jam Bersama Gaspar” karya sutradara Yosep Anggi Noen? Penelitian ini dilatar belakangi untuk mendeskripsikan unsur intrinsik dalam novel dan film, serta mengkaji proses ekranisasi yang meliputi penambahan, penciutan, dan perubahan variasi dalam alih wahana dari novel menjadi film. Metode Penelitian yang digunakan adalah deskriptif kualitatif, dengan teknik pengumpulan data berupa studi pustaka dan dokumentasi.
Hasil analisis proses ekranisasi pada novel berjudul “24 Jam Bersama Gaspar” yang melakukan transformasi ke dalam film dengan judul “24 Jam Bersama Gaspar” mengalami 3 perubahan seperti perubahan variasi, penciutan dan penambahan di antaranya
Penambahan terjadi pada tokoh dan adegan seperti berikut;Penambahan pada tokoh: Anggota baru Fight Club, Dokter laki – laki, Kurawa, Kerabat Wan Ali, dan Resepsionis hotel. Penambahan pada adegan: Gedung Fight Club, Kolam renang, Kamar hotel, Ruang CCTV, Rumah sakit jiwa, Penemuan mayat kurawa, Gaspar menemui mantan rekan Wan Ali, Perselingkuhan Wan Ali dan Nurida, Gaspar menunjukan CCTV, Flashback Gaspar ke waktu masa kecilnya dan kejadian di Kereta api.
Penciutan terjadi pada 3 aspek, latar(tempat), alur dan tokoh dan penokohan, di uraikan sebagai berikut; Latar (tempat) terjadi pada bagian, Rumah Kik, Bar, Parkiran Bar, Perempatan Jalan, Warung pecel lele dan Rumah Gaspar. Alur terjadi pada bagian, Introgasi polisi dengan saksi, Wawancara Gaspar dengan Nurida,Yadi,Maimunah, Gaspar menguping Wan Ali dengan Maimunah, Gaspar beristirahat di bar, Gaspar menolong Agnes, Gaspar dan Afif menolong Bu Tati, Kedatangan Budi Alazon ke bengkel Njet, Komplotan gaspar di hadang sosok bertopeng dan Flashback Gaspar menjadi Budi Alazon Tokoh dan penokohan terjadi pada bagian, Satpam penjaga Dua orang Batak, Budi Alazon II, Tetangga Gaspar, Penjual motor. Perubahan variasi terjadi pada 3 aspek, latar(tempat), alur dan tokoh dan penokohan, di uraikan sebagai berikut; Latar (tempat) terjadi pada bagian, Rumah Bu Tati, Bar menjadi Fight Club, Rumah gaspar menjadi pinggir kali. Alur terjadi pada bagian, Gaspar pingsan, Kematian Bachtiar, Motif Yadi bergabung dengan Gaspar, Konflik perampokan, Pertemuan Gaspar dan Bu Tati, Gaspar di toko emas Wan Ali, Kematian Gaspar. Tokoh dan penokohan terjadi pada bagian, Babaji, Afif, Kik.

Kata kunci: Ekranisasi, Novel, Film, 24 Jam Bersama Gaspar, Sabda Armandio, Yosep Anggi Noen.
 
Problem Formulation: 1. What are the intrinsic elements of the novel entitled "24 Hours with Gaspar" by Sabda Armandio? 2. What are the intrinsic elements of the film titled "24 Hours Bersama Gaspar" by director Yosep Anggi Noen? 3. How is the process of ekranization of the novel titled "24 Hours with Gaspar" into a film titled "24 Hours with Gaspar" by director Yosep Anggi Noen? The purpose of this research is to describe the intrinsic elements in novels and films, as well as to examine the process of ekranization which includes addition, subtraction, and variation changes in the transfer of vehicles from novel to film. The research method used is qualitative descriptive, with data collection techniques in the form of literature studies and documentation.
The results of the analysis of the ekranization process in the novel entitled "24 Hours with Gaspar" which transformed into a film with the title "24 Hours with Gaspar" underwent 3 changes such as changes in variation, shrinkage and additions among them
Additions occur in the following characters and scenes; Character additions: New member of Fight Club, Doctor boy, Kurawa, Wan Ali's relative, and Hotel receptionist. Additions to the scene: Fight Club Building, Swimming Pool, Hotel Room, CCTV Room, Mental Hospital, Discovery of Corpse of a Crow, Gaspar Meeting Wan Ali's Ex-Partner, Wan Ali and Nurida's Affair, Gaspar Showing CCTV, Gaspar's Flashback to his childhood and the incident on the Train.
Shrinkage occurs in 3 aspects, the setting (place), the flow and the characters and characterization, described as follows; The setting (place) occurred in sections, Kik House, Bar, Bar Parking, Road Intersection, Catfish Pecel Warung and Gaspar House. The plot occurs in the section, Police interrogation with witnesses, Gaspar's interview with Nurida, Yadi, Maimunah, Gaspar eavesdropping on Wan Ali with Maimunah, Gaspar resting in the bar, Gaspar helping Agnes, Gaspar and Afif helping Mrs. Tati, Budi Alazon's arrival at Njet's workshop, Gaspar's plot in front of a masked figure and Gaspar's Flashback to become Budi Alazon Character and characterization occurs in the section, Security guard Two Bataks, Budi Alazon II, Gaspar's neighbor, Motorcycle seller. Changes in variation occur in 3 aspects, setting (place), plot and characters and characterization, described as follows; The setting (place) occurs in sections, Mrs. Tati's house, Bar becomes a Fight Club, Gaspar's house becomes the riverside. The plot occurs in the section, Gaspar faints, Bachtiar's death, Yadi's motive to join Gaspar, Robbery conflict, Gaspar and Mrs. Tati's meeting, Gaspar at Wan Ali's gold shop, Gaspar's death. The characters and characterization occur in the sections, Babaji, Afif, Kik.
Keywords: Ekranization, Novel, Film, 24 Hours With Gaspar, Sabda Armandio, Yosep Anggi Noen